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Tideline

A change in hue to an area, generally with a darker ring along its edge. Found on either the front or back of the canvas.

COMMENT: COMMENT: Caused by a fluid coming into contact with the painting and subsequently drying, leaving a concentration of dirt or paint particles along the edges of its outmost rim.

Literature

Arslanoglu J., Aquazol as used un conservation practice, 2004, in: WAAC Newsletter vol. 26 nr.1 2004, pp 86-104
http://cool.conservation-us.org/waac/wn/wn26/wn26-1/wn26-105.pdf

Sandbakken E.G., Tveit E.S., Preserving a Master: Edvard Munch and His Painted Sketches, 2012, in: Journal of Urban Culture Research Vol. 5 2012,
https://www.tci-thaijo.org/index.php/JUCR/article/view/20514/17822

Norton A., The conservation of a contemporary collage, 1999, in: American Institute for Conservation, Book and Paper Group Annual conference, 1999, pp 56-70
https://cool.conservation-us.org/coolaic/sg/bpg/annual/v18/bp18-11.html

Beerkens L., Noble P., Weerdenberg S., From Pollock drips to perfect white in Jan Schoonhoven’s Zero reliefs, 2017, in: Postprints of the ICOM-CC 18th Triennial Conference, Copenhagen, 2017, paper 0903
https://www.icom-cc-publications-online.org/PublicationDetail.aspx?cid=b4fd819a-ec23-4e61-8a9a-084a8830ec50

Tideline

Verandering in tint in een gebied, meestal met een donkere lijn langs de rand. Aanwezig aan de voor of achterkant van een doek.

Gerelateerde Termen

Kring

Opmerking: Veroorzaakt door een vloeistof die in contact komt met het schilderij en daarna opdroogt, waarbij een concentratie van vuil of verfdeeltjes ontstaat langs de randen van de kring.

Literatuur

Arslanoglu J., Aquazol as used un conservation practice, 2004, in: WAAC Newsletter vol. 26 nr.1 2004, pp 86-104
http://cool.conservation-us.org/waac/wn/wn26/wn26-1/wn26-105.pdf

Sandbakken E.G., Tveit E.S., Preserving a Master: Edvard Munch and His Painted Sketches, 2012, in: Journal of Urban Culture Research Vol. 5 2012,
https://www.tci-thaijo.org/index.php/JUCR/article/view/20514/17822

Norton A., The conservation of a contemporary collage, 1999, in: American Institute for Conservation, Book and Paper Group Annual conference, 1999, pp 56-70
https://cool.conservation-us.org/coolaic/sg/bpg/annual/v18/bp18-11.html

Beerkens L., Noble P., Weerdenberg S., From Pollock drips to perfect white in Jan Schoonhoven’s Zero reliefs, 2017, in: Postprints of the ICOM-CC 18th Triennial Conference, Copenhagen, 2017, paper 0903
https://www.icom-cc-publications-online.org/PublicationDetail.aspx?cid=b4fd819a-ec23-4e61-8a9a-084a8830ec50