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Graffiti

Intentionally applied markings drawn/painted on, or scratched into, the surface of an artwork, by someone other than the artist. Often with the intention of defacing the artwork.

Literature

Barker R., Ormsby B., Conserving Mark Rothko's Black on Maroon, 1958: The construction of a 'representative sample' and the removal of graffiti ink, 2015, in: Tate research papers nr.23,
https://www.researchgate.net/profile/Bronwyn_Ormsby/publication/277993256_Conserving_Mark_Rothko's_Black_on_Maroon_1958_The_Construction_of_a_'Representative_Sample'_and_the_Removal_of_Graffiti_Ink/links/55780ea108aeacff200066bd.pdf

Esson J.M., Scott R., Hayes C.J., Chemistry and Art: Removal of Graffiti Ink from Paints Grounded in a Real-Life Scenario, 2018, in: Journal of Chemical Education 2018 vol.95 nr. 3, pp 400-402

Cordess C., Turcan M., Art Vandalism, 1993, in: The British Journal of Criminology vol. 33 issue 1., pp 95-102

Baglioni P., Baglioni M., Alterini M., Giorgi R., Shashoua Y., Brajer I., Nanofluids confined in chemical hydrogels for the selective removal of graffiti from street art, 2017, in: Postprints of the ICOM-CC 18th Triennial Conference, Copenhagen, 2017, paper 0901
https://www.icom-cc-publications-online.org/PublicationDetail.aspx?cid=20f34efc-b19c-4f0d-8de5-c982613a3a3b

Ormsby B., Tucker C., Donate F.,Keefe M., Smithen P., Barker R., The removal of graffiti ink from Mark Rothko’s Black on Maroon, 1958; a collaborative approach, 2014, in: Postprints of the ICOM-CC 17th Triennial Conference, Melbourne, 2014, paper 1007
https://www.icom-cc-publications-online.org/PublicationDetail.aspx?cid=29b488c5-a131-4b7f-8b3d-d3d394303bc4

Giorgi R., Baglioni M., Baglioni P., Nanofluids and chemical highly retentive hydrogels for controlled and selective removal of overpaintings and undesired graffiti from street art, 2017, in: Analytical and Bioanalytical Chemistry, June 2017, vol. 409, issue 15, pp 3707-3712

Graffiti

Bewuste markeringen getekend of geschilderd op, of gekrast in, het oppervlak van een kunstwerk, door iemand anders dan de kunstenaar. Vaak met de bedoeling om de kunstwerk te beschadigen.

Literatuur

Barker R., Ormsby B., Conserving Mark Rothko's Black on Maroon, 1958: The construction of a 'representative sample' and the removal of graffiti ink, 2015, in: Tate research papers nr.23,
https://www.researchgate.net/profile/Bronwyn_Ormsby/publication/277993256_Conserving_Mark_Rothko's_Black_on_Maroon_1958_The_Construction_of_a_'Representative_Sample'_and_the_Removal_of_Graffiti_Ink/links/55780ea108aeacff200066bd.pdf

Esson J.M., Scott R., Hayes C.J., Chemistry and Art: Removal of Graffiti Ink from Paints Grounded in a Real-Life Scenario, 2018, in: Journal of Chemical Education 2018 vol.95 nr. 3, pp 400-402

Cordess C., Turcan M., Art Vandalism, 1993, in: The British Journal of Criminology vol. 33 issue 1., pp 95-102

Baglioni P., Baglioni M., Alterini M., Giorgi R., Shashoua Y., Brajer I., Nanofluids confined in chemical hydrogels for the selective removal of graffiti from street art, 2017, in: Postprints of the ICOM-CC 18th Triennial Conference, Copenhagen, 2017, paper 0901
https://www.icom-cc-publications-online.org/PublicationDetail.aspx?cid=20f34efc-b19c-4f0d-8de5-c982613a3a3b

Ormsby B., Tucker C., Donate F.,Keefe M., Smithen P., Barker R., The removal of graffiti ink from Mark Rothko’s Black on Maroon, 1958; a collaborative approach, 2014, in: Postprints of the ICOM-CC 17th Triennial Conference, Melbourne, 2014, paper 1007
https://www.icom-cc-publications-online.org/PublicationDetail.aspx?cid=29b488c5-a131-4b7f-8b3d-d3d394303bc4

Giorgi R., Baglioni M., Baglioni P., Nanofluids and chemical highly retentive hydrogels for controlled and selective removal of overpaintings and undesired graffiti from street art, 2017, in: Analytical and Bioanalytical Chemistry, June 2017, vol. 409, issue 15, pp 3707-3712