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Tacky

Tacky paint is visually often glossy and saturated as it has not yet fully dried. Over time it often attracts dirt which becomes imbibed in the upper layer of the paint which can then change the appearance to dulled-down, matte colour. It is slightly adhesive or gummy to the touch, sticky.

Related terms

Soft(ening) Paint
Fluidising Paint
Wet (Non-drying) paint

COMMENT: COMMENT: Tacky paint is often only diagnosed through actual touch. It is not possible to only visually identify tacky paint.

Literature

De Ségogne, H., Théorème de Gödel by Georges Mathieu, 1957. Study and Restoration: Consolidation through cohesive regeneration using a solvent, 2014, in: Issues in Contemporary Oil Paint, pp 149-157

Tank Bronken I.A., Boon J.J., Hard dry paint, softening tacky paint, and exuding drips on Composition (1952) by Jean-Paul Riopelle, 2014, in: Issues in Contemporary Oil Paint, pp 247-262

Chavannes M., Diependaal H., van keulen H., Wijnberg L., Bongaarts M., Leeuwestein M., Catucci-de Groot S., ‘I try to keep surfaces as anonymous as possible’. Conservation issues in Richard Serra's monumental paintstick drawings on canvas, 2014, in: ICOM-CC 17th Triennial Conference, Melbourne 2014 , paper 1001

Smithen P., A history of the treatment of acrylic painting, 2007, in: Modern Paints Uncovered: Proceedings from the Modern Paints Uncovered Symposium, Getty Conservation Institute, Tate and National Gallery of Art. , pp 165-176

Kleverig

Kleverige verf is visueel vaak glanzend en verzadigd wanneer deze nog niet helemaal droog is. Vaak trekt het vuil aan, wat in de verflaag vast komt te zitten en het uiterlijk van de verf kan veranderen in een doffer, matter uiterlijk. Het voelt plakkerig aan.

Opmerking: Kleverige verf kan alleen vastgesteld worden door het aan te raken. Het is niet mogelijk om dit fenomeen alleen visueel te identificeren.

Literatuur

De Ségogne, H., Théorème de Gödel by Georges Mathieu, 1957. Study and Restoration: Consolidation through cohesive regeneration using a solvent, 2014, in: Issues in Contemporary Oil Paint, pp 149-157

Tank Bronken I.A., Boon J.J., Hard dry paint, softening tacky paint, and exuding drips on Composition (1952) by Jean-Paul Riopelle, 2014, in: Issues in Contemporary Oil Paint, pp 247-262

Chavannes M., Diependaal H., van keulen H., Wijnberg L., Bongaarts M., Leeuwestein M., Catucci-de Groot S., ‘I try to keep surfaces as anonymous as possible’. Conservation issues in Richard Serra's monumental paintstick drawings on canvas, 2014, in: ICOM-CC 17th Triennial Conference, Melbourne 2014 , paper 1001

Smithen P., A history of the treatment of acrylic painting, 2007, in: Modern Paints Uncovered: Proceedings from the Modern Paints Uncovered Symposium, Getty Conservation Institute, Tate and National Gallery of Art. , pp 165-176