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Literature

Paint Components

Literature is devided in literature about: Degredations Phenomena, Paint Components, Water Sensitivity in Oil Paint and Water Sensitivity in Acrylic Paint.

— Synthetic Organic Pigment Sensitivity —

Blumenroth D., Zumbühl S., Scherrer N.C., Müller W., Sensitivity of Modern oil Paints to Solvents. Effect on Synthetic Organic Pigments, 2014, in: Issues in Contemporary Oil Paint, pp 351-362

— Zinc White Paint Issues —

Campos M.F., Carlyle L., Melo M.J., Beneath the surface: paint losses due to zinc soap formation within ground layers from a late 19th century oil painting, 2016, in: Metal Soaps in Art: Conservation and Research,
https://www.researchgate.net/publication/326838736_Beneath_the_surface_paint_losses_due_to_zinc_soap_formation_within_ground_layers_from_a_late_19th_century_oil_painting

Campos M.F., Carlyle L., Melo M.J., Zinc soap formation aligned with wood grain pores on two late 19th century oil paintings, 2016, in: Metal Soaps in Art: Conservation and Research,
https://www.researchgate.net/publication/326838886_Zinc_soap_formation_aligned_with_wood_grain_pores_on_two_late_19th_century_oil_paintings

— Synthetic Ultramarine Blue degradation phenomena —

Cato E., Borca C., Huthwelker T., Ferreira E.S.B., Aluminium X-ray absorption near-edge spectroscopy analysis of discoloured ultramarine blue in 20th century oil paintings, 2016, in: Microchemical Journal, Vol 126, May 2016, pp 18-24

Cato E., Scherrer N., Ferreira E.S.B., Raman mapping of the S3− chromophore in degraded ultramarine blue paints, 2017, in: Journal of Raman Spectroscopy Vol. 48, Issue 12 (2017), pp 1789-1798

— Synthetic Organic Pigment Sensitivity —

de Keijzer M., The delight of modern inorganic pigment creations, 2014, in: Issues in Contemporary Oil Paint, pp 45-73

de Keijzer M., Meet the future: The creation of new pigments, 2019, in: CMOP conference proceedings, may 2018, Amsterdam,

— Synthetic Ultramarine Blue degradation phenomena —

del Federico E., Newman J., Tyne L., O'Hern C., Isolani L., Jerschow A., Solid-State NMR Studies Of Ultramarine Pigments Discoloration, 2016, in: Volume 984 (Symposium MM – Magnetic Resonance in Material Science),

— Cadmium Yellow Deterioration —

Duffy M., McGlinchey C., Weeping Cadmium paint: a case study, 2001, in: Deterioration of artists' paints: effects and analysis. Extended abstract of presentation of ICOM-CC Paintings Working Group. 10 and 11 Sept 2001, Londen, pp 81-83

— Synthetic Organic Pigment Sensitivity —

Gherladi E., Degano I., Colombini M.P., Mazurek J., Schilling M., Khanjian H., Learner T., A multi-analytical study on the photochemical degradation of synthetic organic pigments, 2015, in: Dyes and Pigments, vol. 123, dec. 2015, pp 396-403

— Zinc White Paint Issues —

Helwig K., Poulin J., Corbeil M.C., Moffat E., Duguay D., Conservation issues in several twentieth-century Canadian oil paintings: The role of zinc carboxylate reaction products, 2014, in: Issues in Contemporary Oil Paint, pp 167-184

Hermans J.J., Keune K., van Loon A., Iedema P.D., An infrared spectroscopic study of the nature of zinc carboxylates in oil paintings, 2015, in: Journal of Analytical Atomic Spectroscopy vol. 30 (7), pp 1600-1608

Keune K., Boevé Jones G., Its surreal: Zinc oxide degradation and misperceptions in Salvador Dalí's Couple with Clouds in their Heads, 1936, 2014, in: Issues in Contemporary Oil Paint, pp 283-294

— Emerald Green Deterioration —

Keune K., Boon J.J., Boitelle R., Shimadzu Y., Degradation of Emerald green in oil paint and its contribution to the rapid change in colour of the Descente des vaches (1834–1835) painted by Théodore Rousseau, 2013, in: Studies in Conservation Vol. 58 Nr. 3, pp 896-897

Keune K., Mass J., Mehta A., Church J., Meirer F., Analytical imaging studies of the migration of degraded orpiment, realgar, and emerald green pigments in historic paintings and related conservation issues, 2016, in: Heritage Science, vol. 4 Nr. 10,
https://link.springer.com/article/10.1186/s40494-016-0078-1

— Synthetic Ultramarine Blue degradation phenomena —

Mills L., Burnstock A., Duarte F., van Keulen H., Megens L., van den Berg K.J., Water sensitivity of modern artists’ oil paints, 2008, in: ICOM Committee for Conservation (ICOM-CC) 15th Triennial Meeting New Delhi, 22-26 Sept 2008, pp 651-659

— Chrome Yellow Deterioration —

Monico L., Janssens K., Alfeld M., Cotte M., Vanmeert F., Ryan C.G., Falkenberg G., Howard D.L., Brunetti B.G., Miliani C., Full spectral XANES imaging using the Maia detector array as a new tool for the study of the alteration process of chrome yellow pigments in paintings by Vincent van Gogh, 2015, in: Journal of Analytical Atomic Spectrometry vol. 30, pp 613-626

Monico L., Janssens K., Hendriks E., Vanmeert F., Van der Snickt G., Evidence for Degradation of the Chrome Yellows in Van Gogh’s Sunflowers: A Study Using Noninvasive In Situ Methods and Synchrotron-Radiation-Based X-ray Techniques, 2015, in: Angewante Chemistry 2015 vol. 127 (47), pp 94-103

Monico L., Janssens K., Hendriks E., Vanmeert F., Van der Snickt G., Cotte M., Falkenberg G., Brunetti B.G., Miliani C., Evidence for Degradation of the Chrome Yellows in Van Gogh’s Sunflowers: A Study Using Noninvasive In Situ Methods and Synchrotron‐Radiation‐Based X‐ray Techniques, 2015, in: Angewante Chemie vol.54 iss. 47, pp13923-13927

Monico L., Janssens K., Miliani C., Brunetti B.G., Vagnini M., Vanmeert F., Falkenberg G., Abakumov A., Lu Y., Tian H., Verbeeck J., Radepont M., Cotte M., Hendriks E., Geldof M., van der Loeff L., Salvant J., Menu M., Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. 3. Synthesis, Characterization, and Detection of Different Crystal Forms of the Chrome Yellow Pigment, 2013, in: Analytical Chemistry, 2013, vol. 85 (2), pp 851-859

Monico L., Janssens K., Vanmeert F., Cotte M., Brunetti B.G., van der Snikt G., Leeuwestein M., Plisson J.S., Menu M., Miliani C., Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. Part 5. Effects of Nonoriginal Surface Coatings into the Nature and Distribution of Chromium and Sulfur Species in Chrome Yellow Paints, 2014, in: Analytical Chemistry, 2014, vol. 86 (21) , pp 10804-10811

Munoz-García A.B., Massaro A., Pavone M., Ab initio study of PbCr(1−x)SxO4 solid solution: an inside look at Van Gogh Yellow degradation, 2016, in: Chemical Science 2017 Nr. 7 , pp 4197-4203
https://pubs.rsc.org/en/content/articlehtml/2016/sc/c5sc04362j

— Zinc White Paint Issues —

O'Donoghue E., Johnson AM., Mazurek J., Preusser F., Schilling M., Walkton MS., Dictated by media: Conservation and technical analysis of a 1938 Joan Miró canvas painting, 2006, in: Studies in Conservation 51(2), pp 66-68

Osmond G., Zinc White and the influence of paint composition for stability in oil based media, 2014, in: Issues in Contemporary Oil Paint, pp 263-281

Osmond, G., Keune, K., Boon, J.J., A study of zinc soaps found in paintings at the Queensland Art Gallery, 2005, in: AICCM Bulletin 29, pp 37-46
https://www.researchgate.net/publication/276385362_A_study_of_zinc_soap_aggregates_in_a_late_19th_century_painting_by_RG_Rivers_at_the_Queensland_Art_Gallery

Osmond. G., Ebert, B., Drennan J., Zinc Oxide-centred deterioration in 20th century Vietnamese paintings by Nguyên Trong Kiêm, 2014, in: AICCM Bulletin 34, pp 4-14
https://aiccm.org.au/sites/default/files/docs/Bulletin2014/BulletinVol34/6932%20AICCM%20Bulletin%20v34-osmond.pdf

— Synthetic Organic Pigment Sensitivity —

Quillen Lomax S., Lomax J.F., Graham T.K., Moore T.J.T., Knapp C.G., Historical azo pigments: Synthesis and characterization, 2019, in: Journal of Cultural Heritage, vol. 25 Jan-Feb 2-19, pp 218-224
https://www.sciencedirect.com/science/article/pii/S1296207417307586

— Synthetic Ultramarine Blue degradation phenomena —

René de la Rie E., Michelin A., Ngako M., Del Federico E., Del Grosso C., Photo-catalytic degradation of binding media of ultramarine blue containing paint layers: A new perspective on the phenomenon of “ultramarine disease” in paintings, 2017, in: Polymer Degradation and Stability, vol. 144, October 2017, pp 43-52

— Zinc White Paint Issues —

Rogala D., Franz Lake S., Mains C., Mecklenburg M., Condition Problems Related to Zinc Oxide Underlayers: Examination of Selected Abstract Expressionist Paintings from the Collection of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 2010, in: Journal for the American Insititute of Conservation vol. 49 (2), pp 96-113

— Synthetic Organic Pigment Sensitivity —

Ropret P., Centeno S.A., Bukovec P., Raman identification of yellow synthetic organic pigments in modern and contemporary paintings: Reference spectra and case studies, 2008, in: Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy, Volume 69 (Issue 2) Feb 2008, pp 486-497

— Zinc White Paint Issues —

van der Weerd J., Geldof M., van der Loeff L.S., Meeren R.M.A., Boon J.J., Zinc soap aggregate formation in 'Falling Leaves' (Les alyschamps) by Vincent van Gogh, 2003, in: Kunsttechnologie Konservierung 17(2), pp 407-416

Winter, G., Whittem, R.N., Fluorescence and photo-chemical activity of zinc oxides, 1950, in: Journal of oil colour chemical association 33 (nov), pp 477-483