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Crazing

An opaque layer formed by the fine network of interconnected surface cracks.

COMMENT: COMMENT: Crazing is mostly found in the varnish layer on a painting, but sometimes also in the upper thin layer of the paint layer.

Literature

Barten J., Lagana A., van Oosten T., Seen from behind: Consolidation of painted works on poly(methyl methacrylate) by László Moholy-Nagy, 2017, in: Postprints of the ICOM-CC 18th Triennial Conference, Copenhagen, 2017, paper 0902
https://www.icom-cc-publications-online.org/PublicationDetail.aspx?cid=09fa60e5-5539-496f-9547-2154b69323d6

Murray A., Contreras de Berenfeld, C., Chang, S., Jablonski, E., Klein, T., Riggs, M., Robertson E.C., Tse W.M.A., The Condition and Cleaning of Acrylic Emulsion Paintings, 2002, in: Symposium II – Materials Issues in Art and Archaeology VI, vol. 712 II.14, pp 249-253

Crazing

Een opaak laag gevormd door een fijne netwerk van microcraquelé.

Opmerking: Crazing is meestal te vinden in de vernislaag van een schilderij, maar soms ook in de dunne bovenlaag van de verflaag.

Literatuur

Barten J., Lagana A., van Oosten T., Seen from behind: Consolidation of painted works on poly(methyl methacrylate) by László Moholy-Nagy, 2017, in: Postprints of the ICOM-CC 18th Triennial Conference, Copenhagen, 2017, paper 0902
https://www.icom-cc-publications-online.org/PublicationDetail.aspx?cid=09fa60e5-5539-496f-9547-2154b69323d6

Murray A., Contreras de Berenfeld, C., Chang, S., Jablonski, E., Klein, T., Riggs, M., Robertson E.C., Tse W.M.A., The Condition and Cleaning of Acrylic Emulsion Paintings, 2002, in: Symposium II – Materials Issues in Art and Archaeology VI, vol. 712 II.14, pp 249-253